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Glossary definition(s) for: authenticity
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n., The trustworthiness of a record as a record; i.e., the quality of a record that is what it purports to be and that is free from tampering or corruption.
[ Archives - MCRI 412-2001 InterPARES 2 Detailed Proposal Forum , Page: 11 ]
Dictionary definition(s) for: authenticity
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n., The trustworthiness of a record as a record; i.e., the quality of a record that is what it purports to be and that is free from tampering or corruption.
[ Archives - MCRI 412-2001 InterPARES 2 Detailed Proposal Forum , Page: 11 ]
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n., An authentic performance is (at least) an accurate performance of a work.
[ Arts - Themes in the Philosophy of Music , Page: 60 ]
Davies, Stephen. Themes in the Philosophy of Music. New York: Oxford University Press, 2003.
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n., Authenticity and genuineness of photographs examine the photograph as a physical object and a visual image. It is here that the diplomatic notion of authenticity is useful, because it requires that we analyze the photograph in terms of its physical composition, the correspondence between the image and reality it depicts, and the relationship between the image and its label in order to understand the functional context in which the photographic image is transformed into a photographic document.
[ Arts - 'We Make Our Tools and Our Tools Make Us': Lessons from Photographs from the Practice, Politics and Poetics of Diplomatics , Page: 45 ]
Schwartz, Joan M. "We Make Our Tools and Our Tools Make Us': Lessons from Photographs from the Practice, Politics and Poetics of Diplomatics." Archivaria 40 (Fall 1995): 40-74.
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n., Authenticity in transcription is a relation notion that opertes within the gap between transcriptions that are barely recognizable as such and transcriptions that preserve the musical content of the original work as fully as is consistent with respectng the characteristics of the medium for which the transcriptions is written.
[ Arts - Themes in the Philosophy of Music , Page: 54 ]
Davies, Stephen. Themes in the Philosophy of Music. New York: Oxford University Press, 2003.
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n., Established by assessing the identity and the integrity of the record. It must be possible to ascertain at all times what a record is, when it was created, by whom, what action or matter it participated in, and what its juridical/administrative, cultural, and documentary contexts were. It must also be possible to ascertain the wholeness and soundness of the record: whether it is intact or, if not, what is missing.
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n., In Jenkinson’s formulation, the quality of archives deriving from their being preserved in the continuous custody and for the information of their creator and its legitimate successors.
[ Archives - School of Library, Archival and Information Studies (SLAIS) Glossary ]
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n., Requires that the scene has not been tampered with. [photography]
Arnheim, Rudolf. "On the Nature of Photography." Critical Inquiry 1, no. 1 (September 1974): 154-160.
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n., So the claim of authenticity was based on identification of a photographer a time and place of exposure and a chain of transmission.
[ Arts - The Reconfigured Eye: The Visual Truth in the Post-Photographic Era , Page: 47 ]
Mitchell, William J. The Reconfigured Eye: The Visual Truth in the Post-Photographic Era. New ed. Cambridge, MA: MIT Press, 1994.
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n., The authenticity of a photographic print should be based on certification by the photographer. Even if two prints were virtually (or even actually)indistinguishable, only the one certified by the photographer would count as genuine or authentic.
[ Arts - Authentic Photographs , Page: 133, 134 ]
Warburton, Nigel. "Authentic Photographs." British Journal of Aesthetics 37, no. 2 (1997): 129-137.
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n., The concept of authenticity is defined as “the quality of being authentic, or entitled to acceptance”.
[ Archives - Authenticity Task Force Final Report , Page: 21 ]
Authenticity Task Force. "Authenticity Task Force Report." In The Long-term Preservation of Authentic Electronic Records: Findings of the InterPARES Project. Edited by Luciana Duranti. San Miniato, Italy: Archilab, 2005. Also available online at http://interpares.org/book.
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n., The judgment that something is genuine, based on internal and external evidence, including its physical characteristics, structure, content, and context.
[ Archives - A Glossary of Archival and Records Terminology (The Society of American Archivists) ]
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n., The most common use refers to classes of performance that might synonymously be termed 'historically informed' or, 'historically aware, 'or employing 'period' or 'original' instruments and techniques.
[ Arts - The New Grove Dictionary of Music and Musicians ]
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n., The nature of the link between a composer and a work that bears his or her name. [A version of music is authentic]in terms of scoring, number of movements [and is] the authentic musical text with respect to pitches, rhythm, and the like as the composer wrote it.
[ Arts - The New Harvard Dictionary of Music ]
The New Harvard Dictionary of Music. Edited by Don Michael Randel. Cambridge, MA: Belknap Press of Harvard University Press, 1986.
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n., The presence of the original is the prerequisite to the concept of authenticity.
[ Arts - Illuminations , Page: 222 ]
Benjamin, Walter. Illuminations. Edited by Hannah Arendt. Translated by Harry Zohn. New York: Harcourt, Brace & World, 1968.
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n., The quality in a thing of being what it is claimed to be (valid, real, genuine, etc.), verified in archives and special collections through an investigative process known as authentication, essential in appraising the value of an item. See also: forgery.
[ Computer and Information Sciences - Online Dictionary for Library and Information Science (ODLIS) ]
Reitz, Joan M. ODLIS: Online Dictionary for Library and Information Science . Westport, Conn.: Libraries Unlimited, 2004. http://lu.com/odlis/.
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n., The quality of a document of having the character and authority of the original.
[ Archives - School of Library, Archival and Information Studies (SLAIS) Glossary ]
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n., The quality of archival documents to bear authentic testimony of the actions, processes, and procedures which brought them into being.
[ Archives - School of Library, Archival and Information Studies (SLAIS) Glossary ]
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n., The quality of being authentic, or entitled to acceptance. As being authoritative or duly authorized, as being what it professes in origin or authorship, as being genuine.
[ Archives - The InterPARES 1 Project Glossary , Page: 357 ]
Duranti, Luciana, ed. The Long-term Preservation of Authentic Electronic Records: Findings of the InterPARES Project. San Miniato, Italy: Archilab, 2005. Also available online at http://interpares.org/book.
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n., The quality of being genuine or original.
[ Arts - Art and Architecture Thesaurus (AAT) ]
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n., The term 'authenticity' can also be applied, as in the popular art world, to works that are proved to be genuine, demonstrated by the work of a particular composer.
[ Arts - The New Grove Dictionary of Music and Musicians ]
The New Grove Dictionary of Music and Musicians. 2nd ed. Edited by John Tyrrell. New York: Grove's Dictionaries, 2001. Also available online at .
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n., The term ‘authenticity’ has been used in several senses relating to music. The most common use refers to classes of performance that might synonymously be termed ‘historically informed’ or ‘historically aware’, or employing ‘period’ or ‘original’ instruments and techniques.
[ Arts - The New Grove Dictionary of Music and Musicians ]
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n., The trustworthiness of a digital entity, to its being what it professes to be, as regards its identity, origin, history, authorship, integrity, and/or the accuracy with which it documents an original work.
[ Arts - Introduction to Imaging , Page: 68 ]
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n., Whether the image had a verifiable provenance that could establish its authenticity.
[ Arts - The Reconfigured Eye: The Visual Truth in the Post-Photographic Era , Page: 47 ]
Mitchell, William J. The Reconfigured Eye: The Visual Truth in the Post-Photographic Era. New ed. Cambridge, MA: MIT Press, 1994.
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