CA Discussion of the challenges faced by librarians and archivists who must determine which and how much of the mass amounts of digitally recorded sound materials to preserve. Identifies various types of digital sound formats and the varying standards to which they are created. Specific challenges discussed include copyright issues; technologies and platforms; digitization and preservation; and metadata and other standards.
Conclusions
RQ "Whether between record companies and archives or with others, some type of collaborative approach to audio preservation will be necessary if significant numbers of audio recordings at risk are to be preserved for posterity. ... One particular risk of preservation programs now is redundancy. ... Inadequate cataloging is a serious impediment to preservation efforts. ... It would be useful to archives, and possibly to intellectual property holders as well, if archives could use existing industry data for the bibliographic control of published recordings and detailed listings of the music recorded on each disc or tape. ... Greater collaboration between libraries and the sound recording industry could result in more comprehensive catalogs that document recording sessions with greater specificity. With access to detailed and authoritative information about the universe of published sound recordings, libraries could devote more resources to surveying their unpublished holdings and collaborate on the construction of a preservation registry to help reduce preservation redundancy. ... Many archivists believe that adequate funding for preservation will not be forthcoming unless and until the recordings preserved can be heard more easily by the public. ... If audio recordings that do not have mass appeal are to be preserved, that responsibility will probably fall to libraries and archives. Within a partnership between archives and intellectual property owners, archives might assume responsibility for preserving less commercial music in return for the ability to share files of preserved historical recordings."
CA One problem in the field of radio archives is the tendency to view anything that is not audio or video (specifically this leaves text) as metadata. However, all text is not metadata. While all text can be seen as potentially useful due to the information it represents, the creators of P/FRA recommend standardizing only the essential information needed to describe and retrieve radio archive information.
Conclusions
RQ Rules need to be drafted specifying the content of metadata fields. While the authors extol the value of ÔÇ£good metadataÔÇØ for resource discovery, proscribing the content of metadata containers is a problem here as in every other filed.
