Archiving the Avant Garde is a collaborative project to develop, document, and disseminate strategies for describing and preserving non-traditional, intermedia, and variable media art forms, such as performance, installation, conceptual, and digital art. This joint project builds on existing relationships and the previous work of its founding partners in this area. One example of such work is the Conceptual & Intermedia Arts Online (CIAO) Consortium, a collaboration founded by the BAM/PFA, the Walker Art Center, and Franklin Furnace, that includes 12 other international museums and arts organizations. CIAO develops standardized methods of documenting and providing access to conceptual and other ephemeral intermedia art forms. Another example of related work conducted by the project's partners is the Variable Media Initiative, organized by the Guggenheim Museum, which encourages artists to define their work independently from medium so that the work can be translated once its current medium is obsolete. Archiving the Avant Garde will take the ideas developed in previous efforts and develop them into community-wide working strategies by testing them on specific works of art in the practical working environments of museums and arts organizations. The final project report will outline a comprehensive strategy and model for documenting and preserving variable media works, based on case studies to illustrate practical examples, but always emphasizing the generalized strategy behind the rule. This report will be informed by specific and practical institutional practice, but we believe that the ultimate model developed by the project should be based on international standards independent of any one organization's practice, thus making it adaptable to many organizations. Dissemination of the report, discussed in detail below, will be ongoing and widespread.
Critical Arguements
CA "Works of variable media art, such as performance, installation, conceptual, and digital art, represent some of the most compelling and significant artistic creation of our time. These works are key to understanding contemporary art practice and scholarship, but because of their ephemeral, technical, multimedia, or otherwise variable natures, they also present significant obstacles to accurate documentation, access, and preservation. The works were in many cases created to challenge traditional methods of art description and preservation, but now, lacking such description, they often comprise the more obscure aspects of institutional collections, virtually inaccessible to present day researchers. Without strategies for cataloging and preservation, many of these vital works will eventually be lost to art history. Description of and access to art collections promote new scholarship and artistic production. By developing ways to catalog and preserve these collections, we will both provide current and future generations the opportunity to learn from and be inspired by the works and ensure the perpetuation and accuracy of art historical records. It is to achieve these goals that we are initiating the consortium project Archiving the Avant Garde: Documenting and Preserving Variable Media Art."
Conclusions
RQ "Archiving the Avant Garde will take a practical approach to solving problems in order to ensure the feasibility and success of the project. This project will focus on key issues previously identified by the partners and will leave other parts of the puzzle to be solved by other initiatives and projects in regular communication with this group. For instance, this project realizes that the arts community will need to develop software tools which enable collections care professionals to implement the necessary new description and metadata standards, but does not attempt to develop such tools in the context of this project. Rather, such tools are already being developed by a separate project under MOAC. Archiving the Avant Garde will share information with that project and benefit from that work. Similarly, the prospect of developing full-fledged software emulators is one best solved by a team of computer scientists, who will work closely with members of the proposed project to cross-fertilize methods and share results. Importantly, while this project is focused on immediate goals, the overall collaboration between the partner organizations and their various initiatives will be significant in bringing together the computer science, arts, standards, and museum communities in an open-source project model to maximize collective efforts and see that the benefits extend far and wide."
SOW
DC "We propose a collaborative project that will begin to establish such professional best practice. The collaboration, consisting of the Berkeley Art Museum and Pacific Film Archive (BAM/PFA), the Solomon R. Guggenheim Museum, Rhizome.org, the Franklin Furnace Archive, and the Cleveland Performance Art Festival and Archive, will have national impact due to the urgent and universal nature of the problem for contemporary art institutions, the practicality and adaptability of the model developed by this group, and the significant expertise that this nationwide consortium will bring to bear in the area of documenting and preserving variable media art." ... "We believe that a model informed by and tested in such diverse settings, with broad public and professional input (described below), will be highly adaptable." ..."Partners also represent a geographic and national spread, from East Coast to Midwest to West Coast. This coverage ensures that a wide segment of the professional community and public will have opportunities to participate in public forums, hosted at partner institutions during the course of the project, intended to gather an even broader cross-section of ideas and feedback than is represented by the partners." ... "The management plan for this project will be highly decentralized ensuring that no one person or institution will unduly influence the model strategy for preserving variable media art and thereby reduce its adaptability."
